White feminism is “Miley can dress however she wants, don’t slut shame her”
Actual feminism is “Miley can dress however she wants but she crossed a line when she started using another culture as a means to rebel and utilized black women and little people as shocking accessories in her music videos and live performances”
how do boys look good without makeup
Because society hasn’t told boys they look bad without it
Watch the entire “Let It Go” scene from Frozen featuring Idina Menzel performing as Elsa.
If you don’t wanna go see Frozen, this is the best 3:39 of the movie (except the short that plays beforehand). What a jam.
goosebumps every time!
Oh god Sarah you are so right
This character is basically Elphaba and Let it Go = No Good Deed
Biggest difference? Idina’s voice does not match this character or it’s expressions.
A voice so strong was not meant for a character so cotton candy soft. ESPECIALLY WHEN THEY DIDN’T MAKE HER EMOTIONAL RANGE LARGE ENOUGH TO MATCH THE INTENSITY OF THE MUSIC??? The song is good, yeah. But the energy in the scene from this character design makes me cringe. It’s fucking Rapunzel trying to sing a song from Wicked fucking fuck what.
This was really lazy, Disney.
Elsa is an Elphaba copy
i think the big problem with the emotional range is the fact that they literally went out of their way to not make her face contort with the emotional waves of the song, because they wanted to make her stay “pretty”. if you watch Idina Menzel sing, well, pretty much anything, but especially her songs from Wicked, she is EMOTING. she is earnestly performing ev-ry sing-le syll-a-ble. she’s not “attractive” when she does it, but that doesn’t matter, because you’re not looking at her for her face, you’re looking for the feeling.
if you watch the video, the song kills, but the disconnect comes from the fact that elsa isn’t emoting. and this goes right along with all the problems of the production. it’s quite obvious the animators don’t care enough, because you have this intense song being sung by this powerhouse of a performer, and they aren’t trying to make the match; it’s all halfhearted.
and elsa, if you ask me, is a poor-man’s elphaba, because she’s not emoting. when i listen to wicked, i respond, because i hear the emotions and i remember seeing how it was performed; i cried during defying gravity because of the performance. when i watch elsa, i can see menzel in my mind’s eye performing it in the recording booth, and the difference between the two is jarring.
toni is always better at saying what I want to say so reblogging again
and you know what? It’s sad when the most emotional part of the song happens when you can’t see the character’s face:
THAT STOMP WAS THE MOST EXCITING PART OF THE WHOLE SCENE WHEN THIS SHOULD HAVE BEEN:
SHE IS LIFTING A GODDAMN SHOW PALACE
THAT SHOULD HAVE BEEN FUCKING COOL
LOOK AT HER. AND LISTEN TO THE MUSIC. AND CRINGE AT THE UNCOMFORTABLE DISPLACEMENT OF IT ALL WITH ME
“when i watch elsa, i can see menzel in my mind’s eye performing it in the recording booth, and the difference between the two is jarring.”
Y E S
((also this was the only song scene in the movie that actually made me feel anything….and now that I see it out of context it’s really mediocre, but compared to everything else, it was amazing and I called it “phenomenal” in my liveblog @_@))
all of this
just a reminder: we’re two periods away from 2014.
you couldn’t just say months you had to measure time with your menstrual cycle
fUN FACT. the earliest form of a calender that’s ever been found was to keep track of an ancient person’s menstrual cycle. ppl with vaginas invented time. there is a reason that months are about the same length as the time between periods. that is all.